When I just solo the client's kick in mic and the BFD out mic, they sound like a single drum.with these it sounds like reverb and woofer wobble. Anyway-I was excited that they used both the 47FET AND a sub kick for all the kicks.and with like 12 different room seemed like it would be the ultimate for this purpose. My typical use is to fill in kit mic blanks-always room mics, but often also like a kick out mic, which no one records and I find necessary to allow a kick to speak in a natural way. And I don't mean using the Tracker function, which seems to be a waste of space with a DAW like Cubase or Logic that has the built in capability-maybe it's able to track better if you're going for complete replacement or something-certainly open to that, I just don't do it. ![]() Augmenting real drums with these samples has proven inferior to BFD for me.
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